Categories
Residential

Villa, Ornos Bay, Mykonos

An existing house has been transformed by Maria Kardami Design Studio into an elegant and luxurious holiday villa, set into a series of stone-walled terraces on the shore of Ornos Bay, Mykonos.

Maria Kardami Design Studio renovated and modified the original building’s interior and designed the additional structures, fusing contemporary minimalist architectural elements with the clean white surfaces and cubist forms of traditional Cycladic building styles to create a summer residence harmoniously integrated into the stone and natural vegetation of the local landscape.

The buildings are aligned to make the most of the site’s orientation and topography, with a series of terraces that descend to the waterfront. The main residence is situated on the property’s highest level. Its flat roofs, white sculptural shapes and wooden doors echo Mykonos’ famous Cycladic vernacular style. The attached terrace, with a traditional slatted wood pergola supported by massive wooden beams, overlooks a large infinity swimming pool. Wide, shallow steps flanked by low stone walls lead from the main house down a series of low terraces to the broad sandy beach area on the waterfront. This provides an ideal space for relaxing and entertaining, with walkways of wooden decking, and generously proportioned dining and seating areas sheltered under wooden pergolas on either side of a free-form swimming pool sunk between palm trees. Further steps go down to the jetty where the client’s boat is moored.

The buildings’ flat roofs are planted with cacti and drought tolerant vegetation which also insulates the spaces below from the heat of the sun. The terraces between the natural stone retaining walls are xeriscaped with plantings of grasses, large cacti and low palms interspersed with large boulders.

The design language of the exterior flows through to the interiors, which combine the straight lines and gentle curves of local design with a contemporary, minimalist aesthetic. Smooth, creamy white walls and floor throughout are made of a traditional mixture of lime, stone, marble dust and pigments, applied in multiple layers then waxed and polished. The material has a depth of colour and luminescent quality which creates a sense of cool, elegant spaciousness. Blonde wood ceiling beams in the living areas and kitchen, and areas of native stone which have been left exposed, provide a textural and colour contrast.

Throughout all the rooms the deceptively simple yet sophisticated colour scheme is accented by wood, dark leather, bronze and gold fixtures, and stone in shades of buff and grey. The individual fixtures and furnishing elements are few and minimalist, adapted to the architectural aesthetic, and exquisitely designed. Generously proportioned sofas in the living room, upholstered in white, were created by Meridiani. The simple, elegant contemporary furniture throughout the rest of the house, upholstered in the soft, natural colour of unbleached linen, was custom designed by Maria Kardami Studio. The residence’s technological infrastructure is discreetly integrated. All lighting is by Apparatus Studio.

Villa Sebastian is an example of what can be achieved when an enlightened architect and sympathetic client work together. Bridging the past and the present — incorporating the local architectural vernacular and the contemporary aesthetic — it also respects Mykonos ‘spirit of place’, its landscape and climate.

Categories
Residential

Ornos Private Property

Maria Kardami Design Studio has designed new guest quarters for a private property near the village of Ornos, Mykonos. Built in massive stone that echoes the ancient drystone walls characteristic of the island, and set high into the hillside, the addition looks as if it had grown out of the landscape.

The rooms are arranged in a row, enfilade and with interconnected doors, along the long side of the building and all open onto a long terrace bounded by a low stone wall, overlooking the sea.

The interiors are minimalist, with the softly rounded corners and doorways typical of the local architecture. They are rendered in white Venetian-style lime plaster, giving the walls a subtly modulated, almost luminescent quality

The spacious guest suites are all slightly different, and all furnished with elegant simplicity. Dark wood platform beds and chaise longue are upholstered in creamy white, as are curving chairs — reminiscent of Cycladic sculpture — in front of rounded dressing table mirrors accentuated by a thin, dark bronze frames. Bronze and black lighting fixtures, and sculptural tables in black wood or silver and gold metal complete the furnishings. Rounded niches in the walls and openings between rooms are a witty architectural reference to the interiors of Mykonos’ famous dovecotes.

The guest bathrooms are equally refined. Freestanding stone bathtubs and pedestal sinks are served by bronze taps, faucets and rainfall shower heads, and the subtly curved shapes of the mirrors continue the visual theme of the bedrooms. A large dressing room, with space for the guests’ articles of luggage, accommodates all the garments and other articles needed for an extended stay.

The atmosphere of effortless ease Maria Kardami Design Studio has created, brings the guests into sync with the surrounding elements while creating a calm space into which to retire after a day spent outdoors.

Categories
Commercial

LEISURE CENTRE MYKONOS

Partially set into a hillside overlooking over one of Mykonos’ secluded bays, Maria Kardami Design Studio have designed this elegant Leisure Centre, walled in native stone, as a harmonious extension of the surrounding landscape.

The flat roof is landscaped with native vegetation to insulate the rooms below from the sun’s heat. The cool interiors reflect the local architectural vernacular with white lime plaster walls that contrast with dark wood ceiling beams. Floor-to-ceiling glass sliding doors fitted with white linen Roman blinds open onto a terrace to admit a flood of light and air to the exercise and weight studio. This is also floored in white lime plaster and is furnished with dark brown leather and wood equipment and a few curving, sculptural tables, also in dark wood.

The terrace has its own dipping pool, and the generous curved seating area is integrated into the terrace itself and the adjacent hillside.

A rustic note is introduced into other areas by floors of irregularly rounded stone pavers. In the spa’s bathroom, the floor is of smooth exposed pebble aggregate, interspersed with large, rounded rectangular stepping stones. The sink and countertop consist of one long, veined slab of marble, massive wood shelves are set into the wall, and a large floor to ceiling window looks into a small walled garden. In the spa’s massage room, instead of shelves, rectangular niches are set into one wall. The sink is created of a single block of grey stone, left rough except for the polished upper surface. Bronze taps and hanging wall lights add notes of contrasting luxury.

The spa’s Hammam is informed by the Cycladic tradition of carving rooms into hills and caves. An organically shaped, softly undulating shelf forms the seating around the semi-circular enclosed room, and the white walls rise to a dome in a series of irregularly shaped waves, whose rippling quality is accentuated by muted pin lights.

The overall atmosphere is one of deceptively simple luxury, wholly integrated with the outside environment, to create a haven of peace and pleasure.